Events

Hisroshi Mehata‘s latest solo exhibition, “Noum Amatara”, starts at Sala de exposiciones la Asuncion, Campus Universitario de Jerez de la Frontera in Cadiz, Spain. About forty pieces are showcased, a great opportunity to discover new artworks from the Japanese artist.

Jose A. Tomas‘ photography gives a glimpse of the exhibition with Hiroshi:

Credit: Jose A. Tomas

Carolline Auclair‘s artwork is showcasing at the International Affordable Art Fair 2016 from the 13-16th October, in a brand new venue in Nacka Strandsmässan. Arteria Gallery is among the international galleries from across the globe that are exhibiting art from emerging artists as well as innovative new work by creators from previous editions.

The concept of the unique Art fair is to create an inspiring environment where everyone is welcome to come and discover thousands of original paintings, limited edition prints, sculptures and photography at an affordable price. Some workshops are also offered to the visitors who want to try their own arty hands.

 
[divider line_type=”No Line” custom_height=”50″] Meet Carolline Auclair

Alain Guillon‘s “Les Voyages éthérés” are showcased at gallery ROUGE GRENADE (Paris).

Twenty new artworks, painted in 2016, are exhibited for the very first time.

The four elements – Earth, Water, Fire and Air – are the main focus for this 8th fair by ‘La Sévrienne’ organised with the city Sèvres (France).

The association presents 100 artists, among André Bongibault, Tatjana Labossiere, and Alain Guillon. The exhibition is a wonderful chance to discover Alain Guillon’s vision on Water and Air.

On 5th of February, (“Karakori Ai”) is giving a dance performance.

« Layer by layer, I have tried to remove myself from myself. My art has greatly helped in this. An internal process of restructuring, adding and eliminating all the layers which constitute me. My being, thoughts, experiences, memories, philosophies, spirituality, heart, mind, body, face, texture of skin…. everything peeled layer by layer to reach the source of light within. And through this all, that voice has guided me through.
But why should I do this? The bliss of creation is absolute and there is no need to complicate it by these layers. This needs to be done, because a journey outside is now as important as the journey inside. Because things need to be said now. And with the use of fuzzy grammar, I have to channel outwards, the source of colours on my canvas, through my canvas. That is where I am now ».

– Tarun Sharma

The canvas is blank as well as the painter’s state of mind before he starts the creative process. It is all about clearing out every thought and let the Now be, move and manifest through the shapes. With acrylic, the artist has to be fully aware: no going back, no correction, no adjustment. The gesture becomes a flow and this very fluidity embodies the special quality of being here and now. In that sense, Art is a way of living. Tarun Sharma opens for us a path through the flow of Life, which comes to us and has to be welcomed with awareness, gratitude and respect. As each color, shape and movement is highly respected, enhanced and worshiped in the process of creation, these paintings offer the viewers a unique chance to (re)connect with the Present, its shapes, its flow.

The opening is blessed with a sitar recital by Sri Prasenjit Ray. See you on Friday 17th of February, 4.30pm.

“Pas de chance ?”, récit conté

Création de Marien Guillé

Un spectacle qui se tisse entre histoires du monde entier et fragments d’adolescence, entre conte traditionnel et récit personnel. Un voyage dans les méandres de la parole, pour rendre hommage aux histoires qui nous accompagnent et nous constituent, pour célébrer nos maladresses qui peuvent parfois nous emmener sur les pas de la chance…

« Quand je suis né, j’avais les mains tellement fermées, mes doigts étaient tellement repliés sur eux-mêmes, que j’ai mis des années à les ouvrir complètement et à réussir à faire des gestes simples. Faire mes lacets. Remonter une fermeture éclair. Éplucher une pomme. Allumer un briquet. Mes doigts et moi, ça n’a jamais fait la paire. J’en ai, pourtant, des doigts, comme tout le monde. J’ai deux mains, dix doigts. Modèle standard. Mais j’ai mis une éternité avant de pouvoir déchiffrer le mode d’emploi. Un jour, j’ai entendu cette femme, dans ce petit village de la Drôme Provençale, où j’étais venu passer quelques jours. J’étais sur la fin de mon adolescence. Pas tout à fait prêt à me réveiller, mais presque. Elle s’est mise à raconter une histoire… »

Durée 1h15
À partir de 8/10 ans