{"id":119,"date":"2015-11-08T16:02:35","date_gmt":"2015-11-08T16:02:35","guid":{"rendered":"http:\/\/www.shanqa.com\/?p=119"},"modified":"2016-09-01T03:14:59","modified_gmt":"2016-09-01T03:14:59","slug":"entrer-dans-un-espace-ouvert","status":"publish","type":"post","link":"https:\/\/www.shanqa.com\/fr\/entrer-dans-un-espace-ouvert\/","title":{"rendered":"Entrer dans un espace ouvert"},"content":{"rendered":"[vc_row type=\u00a0\u00bbin_container\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ width=\u00a0\u00bb1\/1″][vc_column_text]\n
\"Hassan-Massoudy-gandhi-shanqa\"<\/a><\/h5>\n

\u0644\u0627\u064a\u0639\u0646\u064a \u0627\u0644\u062a\u0642\u062f\u0645 \u0627\u062a\u0633\u0627\u0639 \u0627\u0644\u0627\u0645\u062a\u0644\u0627\u0643 \u060c \u0627\u0646\u0645\u0627 \u0627\u0644\u0639\u064a\u0634 \u0628\u0627\u062a\u0633\u0627\u0639. \u063a\u0627\u0646\u062f\u064a \u2028\u2028(\u201c Le d\u00e9veloppement, ce n’est pas avoir davantage mais \u00eatre davantage\u201d), Gandhi.<\/p>\n


\n<\/b><\/b><\/p>\n

<\/h3>\n

Rythme, souffle, \u00e9quilibre : ce sont pour moi les trois mots qui d\u00e9finissent l’art de Hassan Massoudy<\/strong>.<\/h3>\n

Regarder ses calligraphies, c’est comme voyager dans un lieu que l’on connait bien, mais que l’on n’avait jamais vu ainsi avant : on se sent comme chez soi, mais avec une sensation suppl\u00e9mentaire de clart\u00e9 et d’acuit\u00e9. Et un peu comme un voyage, on peut passer des heures \u00e0 se perdre dans les lignes, \u00e0 suivre les courbes, r\u00eaver des couleurs, \u00e0 la recherche de l’invisible qui se cache derri\u00e8re le mouvement qui s’all\u00e8ge de loin en loin.<\/p>\n

Dans Calligraphies d\u2019amour<\/em> (Albin Michel, Paris 2004), Hassan Massoudy<\/strong> \u00e9voque ainsi ce qui le meut dans son processus cr\u00e9atif :<\/p>\n

\u00ab\u00a0Cette recherche de la forme juste est celle d’un point d’\u00e9quilibre o\u00f9 se rencontre le tout : le poids montant sans retomber, la dynamique ne brisant pas la forme, la lumi\u00e8re passant \u00e0 travers la couleur, l’espace s’insinuant derri\u00e8re la forme, l’\u00e9puration sans appauvrissement, l’abstraction sans perte de l’image, le sens des mots, le d\u00e9sir du calligraphe. C’est enfin se construire soi-m\u00eame avec chaque calligraphie et se perfectionner gr\u00e2ce aux mat\u00e9riaux. La construction g\u00e9om\u00e9trique de la forme doit \u00eatre d’une grande simplicit\u00e9.<\/em><\/p>\n

Si le point d’\u00e9quilibre exact n’est pas atteint, si c’est l’\u00e9chec, on d\u00e9couvre alors ses propres limites, son humanit\u00e9 et la fragilit\u00e9 de l’\u00eatre. La calligraphie peut devenir un indicateur de cette absence de centre, de ce d\u00e9s\u00e9quilibre. Cette exp\u00e9rience devient alors connaissance de soi et m\u00eame peut-\u00eatre \u00e9volution si, \u00e0 l’instant on se rel\u00e8ve pour recommencer. <\/em><\/p>\n

Nouveau d\u00e9part, mais quel choix ? Ralentir pour mieux ma\u00eetriser la rapidit\u00e9 ou acc\u00e9l\u00e9rer pour mieux cueillir les fruits de l’impulsion ? Il ne faut pas perdre l’essentiel. Si les anciennes techniques font barrage, il faut les bousculer et en inventer d’autres ou s’inspirer des autres arts, \u00e9couter le rythme de la musique ou regarder le mouvement de la danse. La parole du corps est comme un oiseau dans l’espace, mais comment planer avec libert\u00e9 sans tomber ? Il faut beaucoup d’\u00e9nergie pour vaincre la gravit\u00e9 et trouver les sensations physiques de l’espace. Ma calligraphie doit refl\u00e9ter son appartenance \u00e0 ce monde. Celui-ci vit \u00e0 l’heure de la vitesse. De la vitesse de cette fus\u00e9e qui a permis \u00e0 l’homme de d\u00e9passer la loi de la gravit\u00e9 et lui a donn\u00e9 la possibilit\u00e9 de marcher sur la lune. <\/em><\/p>\n

Quand j’estime mon geste juste, le conflit int\u00e9rieur n’existe plus, m\u00eame si cela ne dure que quelques instants. C’est un moment de joie o\u00f9 l’alphabet n’est plus l’instrument de la raison mais une attitude d’\u00e9criture, une sensation pure qui va rencontrer facilement le po\u00e8te qui, sans doute lui aussi, est pass\u00e9 par le m\u00eame cheminement. Cette calligraphie refl\u00e8te mes visions du monde, elle devient le d\u00e9sir que le monde soit ainsi une nouvelle harmonie et une nouvelle libert\u00e9. <\/em><\/p>\n

Les contradictions plastiques sont le reflet de la contradiction de la vie. En r\u00e9alit\u00e9, le point d’\u00e9quilibre n’existe pas : Le monde n’est qu’une harmonie de tensions, nous dit H\u00e9raclite. Toute cette exp\u00e9rience n’est qu’une \u00e9volution et il n’y a pas d’\u00e9volution sans \u00e9chec. La calligraphie est comme tous les arts, l’expression du bonheur et de la souffrance s’y c\u00f4toient. Faire et d\u00e9faire, et ainsi grandir apr\u00e8s chaque exp\u00e9rience. En face d’une impulsion tragique, la calligraphie impose une retenue et un contr\u00f4le qui permet d’apprivoiser les troubles. On devient ma\u00eetre de soi pour un moment. Quand le mot est l\u00e9ger et s’envole, le regard s’oriente vers le haut et se d\u00e9place en suivant la trajectoire du geste. Intuitivement, je per\u00e7ois la calligraphie avec une autre \u00e9chelle que celle des limites du papier. Elle y gagne en spatialit\u00e9. Les gestes du calligraphe deviennent un espace ouvert, accueillant les mots du po\u00e8te et l’imaginaire du contemplateur.\u00a0\u00bb<\/em><\/p>\n[\/vc_column_text][divider line_type=\u00a0\u00bbNo Line\u00a0\u00bb custom_height=\u00a0\u00bb40″][vc_column_text]Rencontrer Hassan Massoudy<\/span><\/i><\/a>[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=\u00a0\u00bbin_container\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ width=\u00a0\u00bb1\/1″][vc_column_text] \u0644\u0627\u064a\u0639\u0646\u064a \u0627\u0644\u062a\u0642\u062f\u0645 \u0627\u062a\u0633\u0627\u0639 \u0627\u0644\u0627\u0645\u062a\u0644\u0627\u0643 \u060c \u0627\u0646\u0645\u0627 \u0627\u0644\u0639\u064a\u0634 \u0628\u0627\u062a\u0633\u0627\u0639. \u063a\u0627\u0646\u062f\u064a \u2028\u2028(\u201c Le d\u00e9veloppement, ce n’est pas avoir davantage mais \u00eatre…<\/p>\n","protected":false},"author":2,"featured_media":124,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":{"0":"post-119","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-rechauffer"},"yoast_head":"\nLa calligraphie d'Hassan Massoudy : un espace ouvert.<\/title>\n<meta name=\"description\" content=\"Rythme, souffle, \u00e9quilibre, trois mots qui d\u00e9finissent l'art de Hassan Massoudy. 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